By Category

Solo:

Concentrate β 13.46Hz for solo accordion and Brain Waves app (8′) 2023
(commissioned by Luka Lopičić)

Progress rep. KB4530907 for e-viola and live electronics (9′) 2022
(commissioned by Rastko Popović)

Vessels (160935 km) for amplified harp, smartphone and video (9′) 2020
(commisioned by Stef Van Vynckt)

C:\GAME> start MS-DOS fairy tale for solo accordion (’10) 2019
(commissioned and premiered by Branko Džinović in EUFONIJA 4th International Festival of Accordion and Chamber Music, Svilara Kulturna Stanica in Novi Sad)

Patchwork for solo double bass (6′) (2019)
(premiered by Vukašin Mihajlović at UK Stari Grad in Belgrade)

AC Modulations for piano (11′) 2018
(premiere on 24, March @ UK Parobrod in Belgrade) 2018 [Listen on Soundcloud] [Video] [Score Follower video]

Ponovo Pff… for contrabass (28′) 2009 [Listen on Soundcloud]

Sfairos for piano (12′) 2005 [Listen on Soundcloud]

Duos:

Still Life with Clock for amplified soprano saxophone, snare drum, smartphone and a plastic suitcase (12′) 2021
(commissioned for the Suitcase project by Duo Dubois with the support of SOKOJ)

pneumothorax (ˌnjuːməʊˈθɔːræks) for soprano saxophone and piano (8′) 2020
(commissioned by Belgrade SAXperience festival and premiered by Duo Alloy)

unity.projections [001=>2] for accordion and cello (13′) 2020
(commissioned by Branko Džinović and premiered by Branko Džinović and Aleksandar latković)

\com.app.data ever-changing piece for two groups of musicians with phone apps (first version premiered on 19th November, in Timisoara, Romania) [Watch video on YouTube] (‘8-’17) 2018

Chamber:

Best of fibres for amplified ensemble (commissioned by Riot ensemble) (6′) 2022

Stay there. for ensemble and internet community (commissioned by the False Relationships and the Extended Endings Ensemble with the support of Goethe-Institut) (9′) 2021

((mno.go)) for amplified ensemble, video, live electronics and ear-protectors (commissioned by The Black Page Orchestra with the support of the Ernst von Siemens Musikstiftung, premiered at musikprotokoll 2021 in Graz) [Avilable in dynamic streaming] (16′) 2021

the Q and A piecefor bicycle, two cars, ensemble and audience in a public city space (premiered at Darmstädter Ferienkurse 2021 ) (12′) 2021

\com.app.data ever-changing piece for two groups of musicians with phone apps (first version premiered on 19th November, in Timisoara, Romania) [Watch video on YouTube] (‘8-’17) 2018

Lebdeće čestice PM10 ili PM2,5 for narator, violin and vibraphone (premiered in November in Pančevo, Serbia) (’17) 2018

Cavitation for Belgrade Baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (8′) [Listen on Soundcloud] 2017

Upgrade for voice, flute, trumpet, accordion and string orchestra with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] 2017

Zabuna on Stage.02/Whatever You Say! for murmur of the audience, flute, clarinet in B flat and a guide (30′) [See video trailer] 2011

Zabuna on Stage.01/Bring Your Noise! for soundtrack, video, amplified ensemble [fl, cl in Bb, el. git, pno, el. vla & cb) , noisemakers and audience (22′) [See a short rehearsal on YouTube] 2010

Canoes Can Be Treacherous for string quartet (7′) 2007

Hah Boo for any performers (any duration) 2007

6 Chworugitsa for flute, viola and harp (11′) [Listen on Soundcloud] 2005

Orchestra:

Bustered for Muzikon Orchestra and silent movie “High Sign” (1921) by Buster Keaton (15′) 2023

Plucked. for harpsichord and strings (commissioned and premiered by Ensemble Metamorphosis) (9′) 2019

Bondres for mixed choir and orchestra (12′) 2009

Ti Mathena To Su Pericha To Ocos for piano and orchestra (7′) 2009

Vocal:

Lebdeće čestice PM10 ili PM2,5 for narator, violin and vibraphone (premiered in November in Pančevo, Serbia) (’17)

The Upgrade for voice, flute, trumpet, accordion and string orchestra with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] 2017

Slušaj for female voice and piano (5′) [Listen on Soundcloud] 2005

after d for two sopranos, flute and organ (3′) 2008

Optimizam for male voice and ensemble [male voice, 2 fl, vln, vla, pno, tmb, cb] (5′) [Listen on Soundcloud] 2007

Upornost for mixed choir (3′) [Listen on Soundcloud] 2006

Bondres for mixed choir and orchestra (12′) 2009

Electroacoustic:

The Subtle Function of Not Me electroacoustic work (commissioned and exhibited by Ana Gnjatović for the Treebark Recipes)

s. electroacoustic work (10′) (created for the TELEPHONE project, a massive online art game, turned into exhibition) 2020

InterResonance online performative game (music and sounds) in collaboration with Andreja Andrić and Małgorzata Żurada 2020

Re_search electroacoustic music for contemporary dance performance (15′) 2008

Chanc6 electroacoustic music for contemporary dance performance (6′) [Listen on Soundcloud] 2008

Audience participation:

the Q and A piece for bicycle, two cars, ensemble and audience in a public city space (premiered at Darmstädter Ferienkurse 2021 ) (12′) 2021

Menuet4phoneS interactive performance for audience with smartphones composed in collaboration with Justyna Stasiowska, Juan Olaya, Hasan Mashni and Tomy Herseta (premiered at the CTM 2019: Adaptation Hacklab Finale at HAU2 in Berlin) 2019

Zabuna on Stage.02/Whatever You Say! for murmur of the audience, flute, clarinet in B flat and a guide (30′) [See YouTube trailer] 2011

Shhhumigrad Live – guided group improvisation on five corners of a town with objects found on spot (15′) [See project website] 2015