“(…) Particularly emblematic of this direction was the final work on the program, by Serbian composer Maja Bosnić. Incorporating multimedia elements (chamber ensemble and audiovisual material/video) and engaging with timely and sensitive global socio-political concerns, the work achieved—if not an ideal synthesis—certainly an affective catharsis, realized through the convergence of musical discourse, musicians, audience, and broader society.” (Critics’ Point – Magdalini Kalopana, 16.4.2025.)