By Medium

Smartphones:

Concentrate β 13.46Hz for solo accordion and Brain Waves app (commissioned by Luka Lopičić)

Still Life with Clock for amplified soprano saxophone, snare drum, smartphone and a plastic suitcase (commissioned for the Suitcase project by Duo Dubois with the support of SOKOJ) (8′) 2021

the Q and A piece for bicycle, two cars, ensemble and audience in a public city space (premiered at Darmstädter Ferienkurse 2021)

Vessels (160935 km) for amplified harp, smartphone and video (9′)
(commisioned by Stef Van Vynckt)

Menuet4phoneS interactive performance for audience with smartphones composed in collaboration with Justyna Stasiowska, Juan Olaya, Hasan Mashni and Tomy Herseta (premiered at the CTM 2019: Adaptation Hacklab Finale at HAU2 in Berlin) 2019

\com.app.data ever-changing piece for two groups of musicians with phone apps (‘9)
(first version premiered on 19th November, in Timsonia Festival, Timisoara, Romania) [Watch video on Score Follower’s YouTube Channel] 2018

The Upgrade for voice, chamber orchestra and audience with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] or [See YouTube video] 2017

All or any instruments:

Accordion:

Concentrate β 13.46Hz for solo accordion and Brain Waves app (commissioned by Luka Lopičić)

unity.projections [001=>2]for accordion and cello (13′)
(commissioned by Branko Džinović and premiered by Branko Džinović and Aleksandar latković)

C:\GAME> start MS-DOS fairy tale for solo accordion (commissioned and premiered by Branko Džinović in EUFONIJA 4th International Festival of Accordion and Chamber Music, Svilara Kulturna Stanica in Novi Sad) (12′) 2019

Upgrade for voice, chamber orchestra and audience with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] or [See YouTube video] 2017

Audience:

the Q and A piece for bicycle, two cars, ensemble and audience in a public city space (12′) 2021 [See YouTube video]

Zabuna on Stage.02/Whatever You Say! for murmur of the audience, flute, clarinet in B flat and a guide (30′) [See YouTube trailer] 2011

Zabuna on Stage.01/Bring Your Noise! for soundtrack, video, amplified ensemble [fl, cl in Bb, el. git, pno, el. vla & cb) , noisemakers and audience (22′) [See a short rehearsal on YouTube] 2010

Upgrade for voice, chamber orchestra and audience with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] 2017

Audio file (electroacoustic / tape / soundtrack):

Re_search electroacoustic music for contemporary dance performance (15′) 2008

Chanc6 electroacoustic music for contemporary dance performance (6′) [Listen on Soundcloud] 2008

Cello:

Best of fibres for amplified ensemble (6′) 2022 (commissioned by Riot ensemble)

unity.projections [001=>2]for accordion and cello (13′)
(commissioned by Branko Džinović and premiered by Branko Džinović and Aleksandar latković)

Upornost for mixed choir (3′) [Listen on Soundcloud] 2006

Bondres for mixed choir and orchestra (12′) 2009

Choir:

Upornost for mixed choir (3′) [Listen on Soundcloud] 2006

Bondres for mixed choir and orchestra (12′) 2009

Clarinet:

Best of fibres for amplified ensemble (6′) 2022 (commissioned by Riot ensemble)

Zabuna on Stage.02/Whatever You Say! for murmur of the audience, flute, clarinet in B flat and a guide (30′) [See YouTube trailer] 2011

Parietal Lobe Upgrade for female voice, clarinet in B flat, tenor saxophone and vibraphone (2′) 2017

Contrabass:

Patchwork for solo double bass (premiered by Vukašin Mihajlović at UK Stari Grad in Belgrade) 2019

Ponovo Pff… for contrabass (28′) [Listen on Soundcloud] 2009

Optimizam for male voice and ensemble [male voice, 2 fl, vln, vla, pno, tmb, cb] (5′) [Listen on Soundcloud] 2007

Electric Guitar:

Electric Viola:

Progress rep. KB4530907 for e-viola and live electronics (commissioned by Rastko Popović)

Electroacoustic (audio file / tape / soundtrack):

Re_search electroacoustic music for contemporary dance performance (15′) 2008

Chanc6 electroacoustic music for contemporary dance performance (6′) [Listen on Soundcloud] 2008

Flute:

Best of fibres for amplified ensemble (6′) 2022 (commissioned by Riot ensemble)

6 Chworugitsa for flute, viola and harp (11′) [Listen on Soundcloud] 2005

Zabuna on Stage.02/Whatever You Say! for murmur of the audience, flute, clarinet in B flat and a guide (30′) [See YouTube trailer] 2011

after d for two sopranos, flute and organ (3′) 2008

Optimizam for male voice and ensemble [male voice, 2 fl, vln, vla, pno, tmb, cb] (5′) [Listen on Soundcloud] 2007

Upgrade for voice, chamber orchestra and audience with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] 2017

Harp:

Vessels (160935 km) for amplified harp, smartphone and video (9′)
(commisioned by Stef Van Vynckt)

6 Chworugitsa for flute, viola and harp (11′) [Listen on Soundcloud] 2005

Harpsichord:

Plucked. for harpsichord and strings (commissioned and premiered by Ensemble Metamorphosis) (9′) 2019

Cavitation for Belgrade Baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (8′) [Listen on Soundcloud] 2017

Noisemakers (toys):

Oboe:

Best of fibres for amplified ensemble (6′) 2022 (commissioned by Riot ensemble)

Orchestra:

Bondres for mixed choir and orchestra (12′) 2009

Ti Mathena To Su Pericha To Ocos for piano and orchestra (7′) 2009

Organ:

after d for two sopranos, flute and organ (3′) 2008

Percussion:

Still Life with Clock for amplified soprano saxophone, snare drum, smartphone and a plastic suitcase (commissioned for the Suitcaseproject by Duo Dubois with the support of SOKOJ) (8′) 2021

Parietal Lobe Upgrade for female voice, clarinet in B flat, tenor saxophone and vibraphone (2′) 2017

Piano:

pneumothorax (ˌnjuːməʊˈθɔːræks) for soprano saxophone and piano (8′)
(commissioned by Belgrade SAXperience festival and premiered by Duo Alloy)

AC Modulations for piano (premiere on 24, March @ UK Parobrod in Belgrade) [Listen on Soundcloud] [Watch video on YouTube] 2018

Sfairos for piano (12′) [Listen on Soundcloud] 2005

Slušaj for female voice and piano (5′) [Listen on Soundcloud] 2005

Upgrade for voice, chamber orchestra and audience with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] 2017

Ti Mathena To Su Pericha To Ocos for piano and orchestra (7′) 2009

Saxophone:

Still Life with Clock for amplified soprano saxophone, snare drum, smartphone and a plastic suitcase (commissioned for the Suitcaseproject by Duo Dubois with the support of SOKOJ) (8′) 2021

pneumothorax (ˌnjuːməʊˈθɔːræks) for soprano saxophone and piano (8′)
(commissioned by Belgrade SAXperience festival and premiered by Duo Alloy)

String orchestra:

Bustered for string orchestra, electronics and silent movie “High Sign” (1921) by Buster Keaton 2023

Plucked. for harpsichord and strings (commissioned and premiered by Ensemble Metamorphosis) (9′) 2019

Upgrade for voice, chamber orchestra and audience with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] 2017

String quartet:

Canoes Can Be Treacherous for string quartet (7′) 2007

Cavitation for Belgrade Baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (8′) [Listen on Soundcloud]2017

Tape (audio file / electroacoustic / soundtrack):

Re_search electroacoustic music for contemporary dance performance (15′) 2008

Chanc6 electroacoustic music for contemporary dance performance (6′) [Listen on Soundcloud] 2008

Trombone:

Optimizam for male voice and ensemble [male voice, 2 fl, vln, vla, pno, tmb, cb] (5′) [Listen on Soundcloud] 2007

Viola:

Progress rep. KB4530907 for e-viola and live electronics (commissioned by Rastko Popović)

Best of fibres for amplified ensemble (6′) 2022 (commissioned by Riot ensemble)

6 Chworugitsa for flute, viola and harp (11′) [Listen on Soundcloud] 2005

Canoes Can Be Treacherous for string quartet (7′) 2007

Cavitation for Belgrade Baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (8′)[Listen on Soundcloud] 2017

Optimizam for male voice and ensemble [male voice, 2 fl, vln, vla, pno, tmb, cb] (5′) [Listen on Soundcloud] 2007

Viola da gamba:

Cavitation for Belgrade Baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (8′) [Listen on Soundcloud] 2017

Violin:

Best of fibres for amplified ensemble (6′) 2022 (commissioned by Riot ensemble)

Canoes Can Be Treacherous for string quartet (7′) 2007

Cavitation for Belgrade Baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (8′) [Listen on Soundcloud] 2017

Optimizam for male voice and ensemble [male voice, 2 fl, vln, vla, pno, tmb, cb] (5′) [Listen on Soundcloud] 2007

Violoncello:

Canoes Can Be Treacherous for string quartet (7′) 2007

Voice:

Slušaj for female voice and piano (5′) [Listen on Soundcloud] 2005

after d for two sopranos, flute and organ (3′) 2008

Parietal Lobe Upgrade for female voice, clarinet in B flat, tenor saxophone and vibraphone (2′) 2017

Optimizam for male voice and ensemble [male voice, 2 fl, vln, vla, pno, tmb, cb] (5′) [Listen on Soundcloud] 2007

Upgrade for voice, chamber orchestra and audience with smartphones [female voice, fl, acc, pno, strings: 4,4,3,3,1] (10′) [Listen on Soundcloud] 2017