By Year

2023

*new work* for orchestra and smartphones

*new work* for flutes, clarinets and cello (commissioned by ensemble mosaik)

*new work* for solo piano and live electronics

Concentrate β 13.46Hz for solo accordion and Brain Waves app (commissioned by Luka Lopičić)

2022

Bustered for string orchestra, electronics and silent movie “High Sign” (1921) by Buster Keaton

Progress rep. KB4530907 for e-viola and live electronics (commissioned by Rastko Popović)

Best of fibres for amplified ensemble (commissioned by Riot ensemble)

2021

Stay there. for ensemble and internet community (commissioned by the False Relationships and the Extended Endings Ensemble with the support of Goethe-Institut)

((mno.go)) for amplified ensemble, video, live electronics and ear-protectors (commissioned by The Black Page Orchestra with the support of the Ernst von Siemens Musikstiftung, premiered at musikprotokoll 2021 in Graz) [Avilable in dynamic streaming]

Still Life with Clock for amplified soprano saxophone, snare drum, smartphone and a plastic suitcase (commissioned for the Suitcase project by Duo Dubois with the support of SOKOJ)

the Q and A piece for bicycle, two cars, ensemble and audience in a public city space (premiered at Darmstädter Ferienkurse 2021)

The Subtle Function of Not Me electroacoustic work (commissioned and exhibited by Ana Gnjatović for the Treebark Recipes)

2020

InterResonance online performative game (music and sounds) in collaboration with Andreja Andrić and Małgorzata Żurada

s. electroacoustic work (10′) (created for the TELEPHONE project, a massive online art game, turned into exhibition)

Vessels (160935 km) for amplified harp, smartphone and video (9′)
(commisioned by Stef Van Vynckt)

pneumothorax (ˌnjuːməʊˈθɔːræks) for soprano saxophone and piano (8′)
(commissioned by Belgrade SAXperience festival and premiered by Duo Alloy)

unity.projections [001=>2] for accordion and cello (13′)
(commissioned by Branko Džinović and premiered by Branko Džinović and Aleksandar latković)

2019

Plucked. for harpsichord and strings (commissioned and premiered by Ensemble Metamorphosis) (9′)

C:\GAME> start MS-DOS fairy tale for solo accordion (commissioned and premiered by Branko Džinović in EUFONIJA 4th International Festival of Accordion and Chamber Music, Svilara Kulturna Stanica in Novi Sad) (‘9)

Patchwork for solo double bass (premiered by Vukašin Mihajlović at UK Stari Grad in Belgrade) (7′)

Menuet4phoneS interactive performance for audience with smartphones composed in collaboration with Justyna Stasiowska, Juan Olaya, Hasan Mashni and Tomy Herseta (premiered at the CTM 2019: Adaptation Hacklab Finale at HAU2 in Berlin) (’10)

2018

\com.app.data ever-changing piece for two groups of musicians with phone apps (first version premiered on 19th November, in Timisoara, Romania) [Watch video on YouTube] (‘8-’17)

Lebdeće čestice PM10 ili PM2,5 for narator, violin and vibraphone (premiered in November in Pančevo, Serbia) (’17)

Transplant>Organ for solo organ (premiered on 22, October in Belgrade)

Music for the theater play The House of Bernarda Albe directed by Ana Grigorović (premiered on 5, April 2018 and still on the repertoie of the National Theater in Belgrade)

AC Modulations for piano (premiered on 24, March @ UK Parobrod in Belgrade) [Listen on Soundcloud] [Video] [Score Follower video] (’11)

2017

Cavitation for Belgrade Baroque ensemble (two baroque violins, baroque viola, viola da gamba and harpsichord) (8′) [Listen on Soundcloud]

Upgrade for voice, chamber orchestra and audience with smartphones (10′) [Listen on Soundcloud]

Parietal Lobe Upgrade for female voice, clarinet in B flat, tenor saxophone and vibraphone (2′)

2015

Shhhumigrad Live – guided group improvisation on five corners of a town with objects found on spot (15′) [See project website]

2012

Zabuna on Stage.02/Whatever You Say! for murmur of the audience, flute, clarinet in B flat and a guide (30′) [See YouTube trailer]

2010

Zabuna on Stage.01/Bring Your Noise! for soundtrack, video, amplified ensemble [fl, cl in Bb, el. git, pno, el. vla & cb) , noisemakers and audience (22′) [See a short rehearsal on YouTube]